DEREK WALCOTT, the 
  distinguished poet, playwright and essayist, and the winner of the 1992 Nobel 
  Prize in Literature, was born in 1930 in Castries, the capital of St. Lucia, 
  in the West Indies. He graduated from the University of the West Indies and, 
  in 1957, was awarded a fellowship by the Rockefeller Foundation to study the 
  American theater. In 1959, he founded the Trinidad Theater Workshop, and his 
  plays have been produced by the New York Shakespeare Festival, the Mark Taper 
  Forum in Los Angeles, and the Negro Ensemble Company.
	
	He has published 11 books of poetry, 
  including Selected Poems (1964); Collected Poems 1948-1984 
  (1986); The Arkansas Testament (1987); Omeros (1990); The Bounty (1997); and 
	Tiepolo’s Hound (2000). Walcott’s Collected 
  Poems: 1948-1984 won the 1986 Los Angeles Times Book Prize for 
  Poetry. Walcott’s poems have appeared in The New Yorker, The Kenyon Review, 
  The New York Review of Books, The Nation, London Magazine, Antaeus, and 
  other periodicals.
	
	Derek Walcott has won the Guinness 
  Award for Poetry, a Royal Society of Literature Award, the Cholmondeley Prize, 
  the New Statesman’s Jock Campbell Award, and the Welsh Arts Council 
  International Writers Prize. In 1981, Walcott was a recipient of a five-year 
  fellowship from the MacArthur Foundation. In 1988, he was awarded the Queen’s 
  Medal for Poetry. He is an Honorary Member of the American Academy and 
  Institute of Arts and Letters.
	
	Several of Walcott’s books of poetry 
  are landmarks in West Indian literature, and he has written more than two 
  dozen plays. He co-authored a collection of essays with Joseph Brodsky and 
  Seamus Heaney entitled Homage to Robert Frost in 1996. His first 
  collection of essays, What the Twilight Says, was published in October 
  1999. In 2002, two collections of his plays were published: The Haitian 
  Trilogy and Walker and The Ghost Dance.
	
	Walcott’s work is intensely related 
  to the symbolism of myth and its relationship to culture. He skillfully fuses 
  folk culture and oral tradition with the classical and avant-garde. His epic 
  poem Omeros echoes and re-imagines Homer’s Illiad and Odyssey as it 
  examines the Caribbean’s colonial past and complex present. In Tiepolo’s 
  Hound, he interweaves his own story with that of the St. Thomas-born 
  painter Camille Pissarro.
	
	He divides his time between his 
  homes in St. Lucia and New York. During the academic year he teaches at Boston 
  University in Boston, Massachusetts. 
	
	Walcott has been painting oils and 
  watercolors for more than five decades. This exhibition at the June Kelly 
  Gallery is his first one-person show and his first in New York City. 
	
	
	His U. S. publisher is Farrar, 
  Straus and Giroux.