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IMPORTANT NOTICE:
The entrance to the June Kelly Gallery has been moved to 166 Mercer
Street. The entrance at 591 Broadway is closed. The gallery
remains where it has been on the third floor since 1987. We look
forward to seeing you.
Updated:
July 29, 2010
Gallery artist
Sana Musasama is spending several weeks this summer teaching
ceramics to Israeli and Palestinian artists at Givat Haviva Institute
near Tel Aviv in Israel. The institute, founded in 1949, conducts
a broad range of educational programs aimed at promoting greater
understanding among different groups in Israeli society. Musasama’s next
exhibition at the June Kelly Gallery, entitled “The Unknown / The
Unnamed,” will open on Thursday, September 6.
Gallery artist
Kay WalkingStick has been invited to spend the month of September
at the Montana Artist Refuge, a small artist colony in Basin, Montana,
in the mountains of southwest Montana between Helena and Butte.
Mountains and mountainous terrain are prominent symbols in
WalkingStick's imagery. The refuge, founded in 1993, offers an
opportunity for quiet reflection and artistic creativity to a community
of visual artists, writers and musicians. Basin, an isolated hamlet 10
miles east of the Continental Divide, was once a bustling mining town;
it had a population of 255 in the 2000 U.S. census.
The exhibition
Ming Smith: Photographs 1977-2010, now on view at the gallery
through the end of July, received a highly positive review in the New
York Times in its July 9 issue. Written by Holland Cotter, the review
was accompanied by one of Smith's photographs. The review can be seen
here.
The exhibition
Ming Smith: Photographs 1977-2010, on view at the gallery through
the end of July, received a highly positive review in the New York Times
in its July 9 issue. Written by Holland Cotter, the review was
accompanied by one of Smith's photographs. The review can be seen
here.
New Yorker magazine, in its August 2 issue, also carried a brief comment
on the exhibition in its Goings On About Town section. That report
can be seen here.
An exhibition
of paintings by gallery artist Karin Batten is scheduled to be
presented at the Napa Gallery in Prague, Czech Republic, from October 6
to November 3, 2010. Entitled "Together," the one -person exhibition
will include seascapes and cityscapes. Batten is originally from the
Czech Republic.
Gallery artists
Nola Zirin and Victor Kord are among some 50 American
abstract artists whose paintings are in a traveling exhibition that
opened in mid-June at the Aragonese Castle in Otranto, at the
southeastern tip of the Italian peninsula, and is scheduled to be shown
in Berlin and London. The exhibition was organized by Marthe Keller,
who teaches art at Hunter College in New York. She is also the director
of the summer arts residency program in Otranto, which is sponsored by
the BAU Institute of New York and Otranto. Don Voisine, president of the
New York-based American Abstract Artists association, curated the
exhibition.
The widely
read internet blog Huffington Post carried a lengthy illustrated report
on the exhibition of paintings by Julio Valdez at the June Kelly
Gallery and the opening reception. Written by Jim Luce, regular
contributor to the blog, he said the paintings "were more spectacular
than I had expected. Perhaps their large size added to the awe."
Luce's report can be found
here.
Gallery artist
Stan Brodsky has published a book of his recollections as a 19-year-old G.I. in Europe during World War II, including pen and ink drawings and
watercolors that he used to embellish letters to his family. He
tells of his discovery of a set of watercolors in an abandoned home in
Alsace that he says got him started on his very successful art career.
The New York Times carried a brief report on the book on April 29, 2010.
That report can be found
here.
Gallery artist
Kay WalkingStick has been selected to participate in a major
PBS-TV series entitled "Art Through Time: A Global View," which
is scheduled to air starting in September. The 13-part series
examines themes that connect works of art created throughout the world
in different eras and reflecting diverse cultural perspectives on shared
human experiences. Each episode features a living artist and other
experts discussing the theme of that segment; in WalkingStick's episode,
the 10th, the theme is "The Natural World." Other artists in
WalkingStick's segment include Jacob Isaacksz, van Ruisdael, Albert
Bierstadt, Eadweard Muybridge, Robert Smithson and Utagawa Hiroshige.
WalkingStick's painting Wallowa Mountains Memory is illustrated on the
program.
Gallery artist
LeRoy Henderson is prominently mentioned in a review of an
exhibition of photographs at the Bronx Museum of the Arts by David
Gonzalez on the Lens blog of The New York Times. The exhibition, entitled
"Road to Freedom: Photographers of the Civil Rights Movement,
1956-1968," captures "the unforgettable moments and forgotten heroes of
the struggle for equal rights," Gonzalez writes, and led to a very
personal decision for Henderson. The exhibition was organized by the
High Museum in Atlanta and contains two photographs by Henderson. The
Bronx Museum is the exhibition's final stop on its five-city tour. It
will be on view in the Bronx through August 11.
Click here for
the review.
Gallery artist
Moe Brooker has won the 2010 Artist's Equity Award for his
artistic and educational achievements over more than 35 years. The
award is presented each year by the Philadelphia/Tri State Artist's
Equity Association. Brooker has taught at schools and universities
throughout the United States and in China, and his paintings are
included in the collections of The Philadelphia Museum of Art, The
Pennsylvania Academy of Fine Arts, The Cleveland Museum of Art and the
Studio Museum in Harlem.
The exhibition
by artist Nola Zirin at the gallery in December is the subject of
a highly positive review by Cynthia Nadelman in the March issue of
ARTnews. Nadelman writes that "Zirin's works on canvas and paper
often evoke the sculptures of such powerful antecedents as Lee Bontecou
and Louise Nevelson." The review can be
seen
here.
A painting by gallery
artist Karin Batten has been chosen for the permanent collection
of the projected National September 11 Memorial and Museum at the World
Trade Center site. The piece, St. Paul's Chapel, 2002, is
an oilstick on paper mounted on canvas measuring 60 by 36 inches.
Batten's studio was on 91st floor of the North Tower. The painting
was also used in a new feature film, "Clear Blue Tuesday," about the
9/11 attacks.
Gallery artist LeRoy
Henderson is included in a new book, 100 New York Photographers
by Cynthia Dantzic, a compendium of significant New York photographers
who have made important professional contributions over the past 70
years. Other photographers represented in the book include Annie
Liebovitz, Mary Ellen Mark, Carrie Mae Weems, Joel Meyerowitz, Amy Arbus,
Bruce Davidson and Hugh Bell. The book was published in September
by Schiffer Publishing.
Gallery artist James
Little has been awarded a prestigious grant from the Joan Mitchell
Foundation, one of a few contemporary artists to receive this year's
award and its $25,000 prize. The award is granted annually to
acknowledge painters and sculptors nationwide who create work deemed to
be of exceptional quality. Little 's latest paintings were shown at the
gallery in the spring of 2009. The Joan Mitchell Foundation was
established in 1993 to fulfill Mitchell 's desire to assist contemporary
artists and to demonstrate that painting and sculpture are significant
cultural necessities.
Gallery artist Philemona
Williamson has two paintings in a traveling exhibition, “A Complex
Weave: Women and Identity in Contemporary Art,” that has been organized
by the Rutgers-Camden Center for the Arts. The exhibition, which opened
in 2009, will travel nationally until 2012. It was co-curated by Dr.
Martin Rosenberg of Rutgers University and Dr. J. Susan Isaacs of Towson
State University.
A photo feature in The New
York Times highlighted the Ralph Ellison Memorial, a 15-foot-tall bronze
sculpture designed by gallery artist Elizabeth Catlett. The
sculpture is located in a park at Riverside Drive and 150th Street, near
where the novelist lived for many years.
Click here to see
article and photo.
Gallery artist James
Little has received significant critical notice for his exhibition
of paintings at the June Kelly Gallery. The New York Times
critic Holland Cotter likened Little's eye for "choosing, mixing and
gradating color" and his application of paint with that of Mondrian.
The review is here.
Artist Joanne Mattera writes positively and insightfully about Little's
exhibition on her blog, which also carries color pictures of his work on
the gallery walls. Her
report can be found
here.
The June issue of New Criterion praises Little's new work in an
article that surveys "the excellent optical painters" at work today.
Here is a link
to that article.
And in the October issue of
ARTnews, critic Kiki Turner describes Little's work as a "tightly
crafted, thoughtful show." (Read
review)
Brooklyn Rail
carries a lengthy Q & A with James Little in its May
issue in which he discusses in detail his approach to his art and his
painstaking technique. The article can be found
here.
A 166-page, coffee-table
monograph, Julio Valdez, has been published by FTC Group, New
York, with color plates, a foreword by Guillermo D. Clamens,
introduction by gallery artist Julio Valdez and an essay by
Federica Palomero.
For more information on the Julio Valdez book, please click
http://www.latinamericanmasters.com/english/publications.html
Gallery artist Claudia
DeMonte is the subject of a 112-page monograph entitled Claudia
DeMonte, with a foreword by Agnes Gund and an essay by Eleanor
Heartney. The book, the first retrospective look at DeMonte's
career and published by Pomegranate, contains approximately 120 color
and black and white reproductions of her work. Autographed copies
of the book are available at the gallery for $30.00 each plus shipping
and handling.
See
cover here.
Gallery artist Su-Li
Hung has created a 138-page book entitled Hama San that
highlights significant events in the area of Taiwan where she grew up.
Hung has written four short stories and three essays and illustrated
them with woodcuts and pencil drawings. The book has been
published in Chinese by Chung-Hwi Publishing Company, Kaohsing City,
Taiwan. The cover of the book can be seen
here.
A book of poems and
woodcuts by Su-Li Hung has also been published in Taiwan. Entitled
"Trees of Takao," the book contains 66 poems that are illustrated by 55
color woodcuts. Eleven of the poems have been translated into English by
Tommy McClellan. (Click here
to see one of her woodcuts, “Palm Leaf.”)
A number of large public
murals that were created by gallery artist Karin Batten or on
which she was a collaborator are among those highlighted in a new book,
On the Wall: Four Decades of Community Murals in New York
City, by Janet Braun-Reinitz and Jane Weissman and just published by
the University Press of Mississippi in Jackson.
Il Bollettino,
the newsletter of the Calandra Italian American Institute at Queens
College, highlights the work of gallery artist Claudia DeMonte
in an illustrated article in the winter issue. (Click
here to see
article.) DeMonte says her work "is heavily influenced by my
Italian Catholic background and my interest in folk art."
Herbert Vogel, a
retired postal clerk, and his wife Dorothy, a former librarian, who
devoted all of their spare time and money to collecting art, have
donated 2,500 paintings, drawings and sculptures to 50 museums
throughout the country. Included are 12 pieces by
Claudia DeMonte. The Vogels have given DeMonte’s work to the
Speed Museum, Louisville, KY; Honolulu Academy of the Arts; Portland
Art Museum in Maine; University of Michigan Museum of Art, Ann
Arbor; Frederick Weisman Art Museum at the University of Minnesota,
Minneapolis; Mississippi Museum of Art, Jackson; Academy of the
Arts, Easton, MD; St. Louis Art Museum; Yellowstone Art Museum,
Billings, MT; Joslyn Art Museum, Omaha; Las Vegas Museum of Art, and
Hood Museum of Art, Dartmouth College, Hanover, NH.
A full-page
illustration of one of DeMonte's works is included in a new book,
"The Dorothy and Herbert Vogel Collection: Fifty Works for Fifty
States." The book was published by the NEA and the
National Gallery of Art and is available as an exhibition
catalogue at each of the participating museums.
A multiple hand-made print by
Lisa Mackie is among a group of prints that has been given to the
Victoria and Albert Museum in London by a benefactor of the Zimmerli Art
Museum of Rutgers University. Mackie's print, The First Thaw in Ludlow,
was created on hand-made paper in 1987 at the Dieu Donné Papermill in New
York City and was in the Rutgers Museum's collection of Prints
and Drawings.
Philemona Williamson has
completed Seasons, a large public artwork consisting of 18 colorful,
painterly fused-glass panels underwritten by the MTA and installed at the
Livonia Avenue Station of the L line in Brooklyn. The glassworks highlight
shared experiences of the changing seasons. Williamson strove to capture
expressions of timelessness and bring light and peace to the station
environment, inspiring commuters with thoughts and memories of internal
destinations and the potential of each new day.
To see Williamson's
entire installation,
click here.

Glass panels created by
Philemona Williamson for the Livonia Avenue subway station in Brooklyn.
Broadside Print Projects, an
organization that supports projects involving artists and poets and writers,
has brought together artist Nola Zirin and former U.S. poet laureate
Robert Pinsky to create a special portfolio based on Zirin’s paintings and a
poem by Pinsky.
A 138-page, hard-cover
monograph, Mark Alsterlind: Perspectives has just been published by
Lucie Éditions, with color plates, an introduction by Yannick Breton, an
essay by Jean Golzink and a Q-and-A interview of Alsterlind by Pierre
Manuel.
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